7. This is an extract of a performance he did in Beyrouth (French version) In some ways, writing or painting can already be considered as acts of erasure (see Brian Dillon, ‘the revelation of erasure ‘) (just as animation and cinema can be seen as acts of progressive erasure: one image superseding the previous one to create an impression of movement). Every painting, said Picasso, is a sum of destructions: the artist builds and demolishes in the same instant. Which is perhaps what Jasper Johns had in mind when he said of Robert Rauschenberg’s ‘Erased de Kooning Drawing’ (1953) that it embodied an “additive subtraction”: after a month’s sporadic destruction – using about 40 rubber erasers to literally rub-out a drawing that he had persuaded de Kooning to give him specifically for that purpose – what is left is a surface startlingly alive, active, palimpsestic. Rauschenberg himself stressed that the main aim of this work was to find out “whether a drawing could be made out of erasing” – the eraser was used as a drawing tool, working over the top of the old drawing, to create a new work. Soundwise casino canada online 811, George Maciunas did a similar thing with ‘Homage to Richard maxfield’ (1962) – erasing a master tape of Maxfield while rewinding. Any form of erasure online roulette real money demand, however violently destructive, can be seen as constructive in some way – any erasure carries within it the potential for renewal or reinvention, made possible by the knowledge gained through the erasure of the old. For Willem Oorebeek, whose ‘Black Out’ series consists of pictures which are are overprinted with a layer of black ink – so the image is only visible when the light on the black surface is seen from a particular angle – erasure can rescue the image “from a one-dimensional view.” “It subjects it to a momentary form of blankness”, wrote Wouter Davidts. allowing it to resurface again, as an afterimage”. Erasure is a “process which makes the new visible to itself as it redefines what is visible in the old”, wrote Richard Galpin in his essay ‘Erasure in Art: Destruction, Deconstruction, and Palimpsest ‘, extending on Derrida’s notion of ‘sous rature’ (under erasure). He gives the example of Ad Reinhardt, who reduced painting to a flat black canvas casino jobs in las vegas, which he described as “the last painting which anyone can make”. Joseph Kosuth wrote of his work: “Painting itself had to be erased, eclipsed, painted out in order to make art.” Mungo Thomson has used this procédé wonderfully in his ‘The American Desert (for Chuck Jones)’ (2002). He erased the characters from classic Road Runner cartoons, leaving only their barren landscapes. Protagonists and narratives excised ipad casino 0nline, the desert scenes mimic landscape painting. Mostly static, there are only oblique traces of the mayhem that we are used to seeing unfold in these unforgiving wastelands: a train rushes by, we hear rocks tumble down a cliff black jack canada lynx, a waterfall. As a tribute to animator Chuck Jones, the meditative landscapes also focus attention on the production and iconography of mass media images online gambling growth, how they influence our everyday perceptions, and how they’ve become an indispensable part of Western cultural history. Again, coincidentally or not watch youtube casino slot games jan 2014, a year later Stephen Gray did a similar thing in the video ‘Beep prepared’ (2003). Some more loose notes on (audio)visual erasure (see also previous post ), in the context of a little program we’re doing in a few weeks. One part of the program (proposed title: “Without a Trace. Erasing Inscription, Inscripting Erasure”) will be a performance by Pierre Hébert. titled ‘only the hand ‘ ipad to hdmi cable, starting from Meister Eckhardt’s famous quote “Only the hand that erases can write the true thing” (btw: Godard said smth similar – “seule la main qui efface peut écrire” ” to express his thoughts about the incapacity of art and film to discuss the Holocaust). Hébert explores the relationship of this quote with his own workflow, doing live improvised animation, alternately drawing and erasing. Hébert writes: “the animated movement cannot appear without the action of erasing. It also interest me because it relates the question of truth to very physical actions that put the body into motion play free online casino games at euro, that is writing and erasing casino en ligne canada university, and not just to the act of “saying the truth” although speech is always present as a ground. It seemed to me that the impossibility to attribute this sentence to any single author did authorized me to give it a meaning that suited my needs without necessarily discarding all of the possible historical interpretation of it”. Breitz’ ‘Ghost Series’ also reminds me of Naomi Uman’s amusing 1999 film ‘Removed’, for which she used nail polish remover and household bleach to erase the female figures from an old and forgotten porn film (see still). The wriggling holes in the film become erotic zones, blanks on which a fantasy body is projected, creating a new pornography. Variations of this idea can be found in photography project such as Justin Jorgesen’s ‘Obscene Interiors ‘ or John Haddock’s ‘Internet Sex Photos ‘, as well as Pierre Bismuth ‘s ‘Collage For Men’.
Hendriks has recently also started working on This is where we’ll do it. a series of YouTube videos he downloaded, manipulated and uploaded again. He writes: “… the absence of essential elements from widely known images has taken center stage. By digitally erasing exactly those things that matter most, absence best casino club cards, background, memory and doubt are shown to become unexpectedly productive”. This is #6: More examples. This is a segment (titled “invisible borads”) from ‘Yeah Right!’, a film made by Spike Jonze for the Girl Skateboard Team.
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